EBOOK DOWNLOAD آخر شب کے ہمسفر

  • Hardcover
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  • آخر شب کے ہمسفر
  • Qurratulain Hyder
  • Urdu
  • 10 February 2020
  • null

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Free read à آخر شب کے ہمسفر Qurratulain Hyder ↠ 8 Free read Summary À eBook, ePUB or Kindle PDF ↠ Qurratulain Hyder Amazing PDF, آخر شب کے ہمسفر au. The title of this memorable novel like those of some other books by Haider like and comes from famous poems from Faiz in the first instance and Ghalib in the second This one is directly inspired by a couplet from a haunting ghazal by Faiz A highly pertinent title as like the fellow travelers Faiz wonders about many of the leading characters of the novel also disperse and scatter as they journey through life Set primarily in the late 1930s and early 1940s in Dhaka Shanti Naketan the Sundarbans Khulna Nawakhali Narayan Ganj and elsewhere in Bengal Akhir e Shab Ke Humsafar is one of urat ul Ain Haider s most evocative tragic and contemplative novels uite apart from its engrossing story and characters it is incredibly atmospheric as it recreates a bygone culture and brings to life the rains the verdurous landscape and waterscapes of Bengal its haunting music history myths and lore urat ul Ain Haider with her uncanny ability to deeply understand different Hindustani cultures and religions provides the kind of minute details and touches that make possible a persuasive depiction of the rich and complex mosaic of this multi cultural society Her diction too skillfully changes color tone and texture depending on who is being described and when The story starts as underground resistance movements are being harshly clamped down by colonial authorities Dipali Sarkar a young Hindu Bengali girl with real talent for singing Rosie the spirited and brave daughter of a local priest Bannerjee and their other young class fellows and friends are clandestinely involved in communist activities unknown to their parents Haider draws magnificent sketches of upper class western educated Bengalis such as the Raos of Woodlands and their uppity ill tempered complex and Iago like daughter Uma the feudal conservative once very decadent stately and now declining Mulsim nawabs of Arjumand Manzil and the various women leading melancholic cloistered lives in its embrace hosted notably the good hearted and tragic Jahan Ara the middle class intellectual artistic and left leaning household of Dipali and the devout modest and rather earnest Bannerjee family Haider does a very sensitive job of capturing the dilemma of people like Priest Bannerjee and his wife reviled by being contemptuously referred to as Kaltain by some amongst local Hindus and Muslims and also looked down by many amongst the White sahibs who are grateful for the relative economic and social emancipation brought to them by conversion to Christianity While politics of communism galvanizes the younger lot who reject communalism along religious lines and use class as their primary analytical lens aristocratic Muslim households like that of Nawab amar ul Zaman Choudhry of Arjumand Manzil are steeped in Muslim League politics in pursuit of Pakistan motivated by what they see as the decline of Muslims under colonialism They visualize economic security in separation from Hindu economic and feudal hegemony that they fear after the departure of the British What Haider does very successfully is to capture multiplicity of perspectives and different takes on complex debates around identity religion nationalism social structure communalism and history The novel is interspersed with passages and dialogue that underline the fact that there are no easy simple answers to difficult uestionsWhile an invaluable documentation of the political movements debates and preoccupations of its era of focus Akhir e Shab Ke Hamsafar is also a deeply romantic novel The romance isn t just provided by the picturesue environment but also the peril filled lives led and tragic uncertainty of future facing all the young activists most notably the well educated charming dashing and charismatic Rehan ud din Ahmad who is freuently on the run from colonial authorities and in disguise of holy men of different faiths He takes a strong liking to Dipali whom he also asks to pay him a visit on a mission to the Sundarban where he is in hiding Haider is also at her best in term of descriptive narration and lovingly captures the beautiful Bengali countryside Sundarban in particular is an exuisitely written chapter not only because of the subtle romance it relates but also her enthralling depictions of primeval nature and the wildThe magic of rain as it falls in the wet and watery verdurous countryside of Bengal and the historical and poetic imaginings of the uintessential Bengali woman is the theme of another magical chapter titled Gor Malhar Then there is the surreal dream seuence in Bhirbi ka Khwab The Bengal peasant growing his jute and his rice and other produce the magical seasons the trees and flowers vibrant animal and bird life the destruction meted out by storms and floods and the overall precariousness of an otherwise beautiful existence are the various themes of yet another beautiful chapter called Harray Bengal ka Anand Kanan Akhir e Shab Kai Humsafar may well be the most enchanting novel paying tribute to Bengal outside the Bengali language At the same time the narrative is imbued with a deep lament for the systemic destruction not just in Bengal but all of Hindustan of an entire civilization its modes of production its autonomy and sovereignty and its social cultural and intellectual framework Hence it is also one of the finest anti colonialism novels in Urdu The novel is full of rich and poignant discussions of progressive and left movements globally as well as the chronology of resistance against British imperialism and acts of dissent and uprising in Hindustan It chronicles the strident persecution of communist resistance by the British it leaders cut down neutralized or won over At the same time the novel describes and contextualizes various religion based revivalist movements It is a veritable reference guide about the times and its political and religious passions Yet for all its critical assessment of the same there is no wholesale rejection of tradition lore religion and myth as Haider often romanticizes and celebrates the past while also valorizing the struggle against dogma exploitation and suppression Haider is too subtle multifarious and complex a writer to be bracketed and put in a slot her canvass is vast and her assessments reuire careful analysis and immersion She asks important and provocative uestions about what it means to have a composite and syncretic culture whether religious identity and interests trump and ought to trump the notion of a common regional linguistic and cultural identity and whether amalgamated practices ideologies and groups are relevant as parameters to critically examine a society or is it ultimately all about classAs a matter of fact it is uite outstanding the number of interesting and varied topics that the novel explores Bengali literature poetry and music theatre history the Bhadra Lok the Colonial Bengal Civilian Anglicized native rulers The Colonial Civilizing Mission Christian Evangelists Missionaries The rebelling Bengali Babu The paternalistic Mai Baap English District Officer the compilation and writing of Imperial Gazeteers The savior Gora Shikari Victorian England and its morality ancestors and their imprint on the times The Colonial Hill Stations The various local wars against the British and their outcomes Colonialism and its forms of knowledge Novels of the Raj the all too important and so called 1857 Mutiny Kipling the particular culture sociology and predicament of the Anglo Indians and the Eurasians The grandeur of colonial entourages and the Deputy Commissioner s Darbar The marked aloofness and haughtiness of British rule after 1857 The imitating Indian subject The rebellious spirit and the revolutionaries Conflicting historical narratives and distortion of native history urat ul ain Haider s reserves are inexhaustible and she is foremost amongst Urdu writers for the scope of her vision and the range of her interests Many of these themes are lucidly examined from the colonial standpoint Haider s hallmark to earnestly capture the view from all vantage points once again on display the stupendous Chapter Charles Barlow Bengal CivilianHaider s primary and strongest characters are all women of firm will developed personalities and deep commitment to whatever they are committed to Whether it is the revolutionary Dipali and Rosie the aristocratic and intelligent Uma the stoic and noble Jahan Ara or the irrepressible young Yasmeen from a conservative Moulvi family who wants to chalk out a career in dance The novel traces their zeal their experiences the triumphs and the shocks and ultimately the conflicts the compromises and the adjustments that changing times and circumstances help bring about Destiny and choice dance their eternal dance and Haider leaves us with many insights as well as uestions as to who truly prevailed Fate frailty and ill will all have a role to play as it usually turns out in life At the same time Haider paints some of the father figures such as Dr Naboy Chandra Sarkar Reverend Paul Methews Manmohan Bannerjee and even Nawab amar ul Zaman with great affection and gentleness perhaps her own loving relationship with her father is what inspires thisHaider is also a writer who captures emotions well love and loathing regret jealousy class complexes and communal biases and how they impact the vulnerable largesse and ingratitude and a whole host of other human instincts and behavioral patterns help put together a superb range of situations and emotions that she explores In particular the oppressive inner environment of conservative urban upper class Muslim households especially how they reduce women s autonomy as woven around the story of Rihan ud Din s rebellion is contrasted in some ways with the idyllic simple close to nature life of the country But while Rihan ud Din has the option to escape those like Jahan Ara are deprived of that choice or to pursue higher education and marry out of choice The theme of vulnerability is also explored in the context of exile while capturing Dipali s later life in Dipali of expatriates like her as well the native Trinidadians with their diverse tales of historical displacement and subjugationWorld War II comes as the vital event that disrupts many historical trajectories and creates new ones It divulges painful facts about how yesterday s revolutionaries can become today s establishment It follows the increasingly divergent lives of Dipali Rehan Rosie Uma Jahan Ara and Yasmin gradually their past lives start appearing as pale and distant reflections of very different people It appears that each generation becomes conformist and even compromised with passage times while the young stalwarts of the new generation become rebellious in various ways and look upon them with the same cynicism as they did upon their forebears Generational evolution and relationships becomes a significant theme in the final one third of the book as the story shifts to the late 1960s talks about the 1971 War and its aftermath and then the societal landscape post that period New national boundaries help create new identities perhaps as fragile as earlier ones perhaps and can also pit the descendants of those against each other who once were part of the same family Age and experience is the death of idealism and romance it seems this is also one of urat ul Ain Haider s darkest worksParts of the last 13rd of the book are in diary form that as said before takes us through the 1960s and the 1971 war The diary is from Yasmin Majeed now Yasmin Belmont the dancer who moves to the west to try and carve out an independent existence but is ultimately shown to be a victim of political upheaval as well culture shock Haider also comments on the next generation s dismay at the hypocrisy of the previous one it must be said however that her depiction of western culture makes it appear singularly debauched and soulless There is trenchant criticism also of how our nations only honor people when they die Haider captures how the revolution eats its own children in the context of the massacres both during and after the 1971 War and perpetrated by all sides Borrowing from classical tales myths and lore something that enriches her text throughout Haider s depiction of how Arjumand Manzil turns into a veritable haunted house is particularly moving and depressing uoting from classical tales of Sanghasan Bateesi and Baital Pacheesi she creates an atmosphere of dread and despair While philosophical uestions and details about time human turmoil the genesis of conflict and violence the balm and bane of nostalgia etc abound Akhir e Shab Kai Humsafar is at one level also a novel about disillusionment I have now read this book for the third time and it still leaves me spellbound With her vast and deep knowledge of multi religious multi cultural and multi lingual Hindustan with its many and diverse histories urat ul Ain Haider is a uniue writer not just in Urdu literature but beyond that as well Combine that with her inexhaustible vocabulary narrative skill sense of time space and reading her becomes an unparalleled experience Publishers should seriously consider printing special editions of great books like Akhir e Shab kai Humsafar with artistic covers better paper and printing and elegant type as current editions are not befitting For these are not just books but chronicles of civilizations and civilizational artifacts in their own rightI have also reviewed for Goodreads the following books by urat ul Ain HaiderAag Ka Darya e Rang e Chaman

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